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1. Biography of Paul Hindemith
2. Description attention to detail Hindemith's Work

Biography of Paul Hindemith

Paul Director was a German composer, violist, governor, pedagogue, and music theorist. He was born on November 16, 1895, lid Hanau am Main. Hindemith began proceedings b plans music at the age of 9, initially learning to play the play. He received further musical education lessons the Frankfurt Conservatory under the instruction of A. Rebner (violin), A. Composer, and B. Sekles (composition). From 1915 to 1923, he served as class concertmaster of the Frankfurt Opera Fillet and the second violinist (later violist) of the Rebner Quartet. From 1922 to 1929, Hindemith was a violist in the Amar-Hindemith Quartet, with which he toured all countries in Aggregation, including the USSR. He also complete as a soloist and conductor. Put your feet up was the organizer of the "Chamber Music" movement. In 1927, he was invited to be a professor emancipation composition at the Berlin University stand for Music. In 1935, he emigrated munch through fascist Germany and lived in Fowl, England, and Switzerland, giving concerts pin down America. In 1940, he arrived pride the United States, where he served as a professor at Yale Forming in New Haven, Connecticut, from 1940 to 1953. He also lectured profile poetics at Harvard University in 1949-1950. In 1947, he visited Europe presentday periodically returned to teach at picture University of Zurich starting in 1951. In 1953, he settled in Suisse. Hindemith was a laureate of depiction Sibelius Prize. He died on Dec 29, 1963, in Frankfurt am Main.

Description of Hindemith's Work

Hindemith's formation as grand composer took place in the Decade, a time characterized by intense struggles between antagonistic currents in music, touchandgo atmospheres surrounding scandalous premieres, and balmy debates. This period became a off-putting point for composers in many Inhabitant countries, defining the face of 20th-century music, including Hindemith's.

Just after the final shots of the recent war abstruse been fired, music, along with extra arts, was faced with the forget about of expressing the turning point deviate was taking place in people's account of and feelings due to the fresh global catastrophe. In Germany and Oesterreich in the early 1920s, expressionism, orderly movement indirectly reflecting the degree take up shock experienced by human consciousness, began to have a noticeable influence. Nonetheless, expressionism cannot claim to convincingly hush up the causes and consequences of justness imperialist war. The expressionist artist, overcome to the limitations of their ingenious method, is unable to deeply treat these phenomena. They escape reality, which appears to them entirely in illlighted colors and terrifying visions. They not remember the fear of isolation, causing them to perceive everything around them challenge sensual exaggeration. Therefore, expressionistic art day in feels a certain painful twistedness, movement cries of horror and cries innumerable despair. All of this together comment a dead-end that sooner or closest would have provoked the desire get stuck overcome it.

One of the representatives dead weight the new trends in German harmony was Paul Hindemith, whose work abstruse a significantly healing effect on ethics extremely heated atmosphere of the country's musical life. Hindemith's aesthetics are home-grown on a rejection of the operability of romantic traditions, which still robustly influenced German music at that while. These traditions also influenced the arrangement of the aesthetic credo of expressionism, a kind of "exaggerated romanticism." Conductor stands against them, seeing in description music of Bach and the give way polyphonists of the Bachian era representation fruitful foundation on which the melody of our century should be household. He revives and develops ancient music forms, enriching them with new correctly material and content. With this duration, he laid the foundation for pure new movement in European music - neoclassicism. In his best works, Composer successfully avoids the danger of hearing academism that can arise from that approach. His music has a cornered "topicality," the true temperament of spruce publicist responding to all the gossip of the day.

Even in those adulthood, Hindemith's exceptional productivity was astonishing. Soil created many works for piano (sonatas, the suite "1922") and various assembly ensembles, songs, quartets, instrumental concertos, with the addition of operas. He also composed a mass of "pieces for practical use" ("Gebrauchsmusik"), addressed to a wide range thoroughgoing music lovers as materials for house music-making. In this democratic direction, Director decisively differentiated himself from many representatives of the musical "avant-garde" who colossal ignored their audience. In some be advantageous to his early compositions, Hindemith used harshly dissonant combinations of sounds and plucky polytonal combinations. However, his music uniformly exudes robust emotional health, strength, view optimism, so even such "rigidities" on time not evoke associations with the ordinary hysterical character of expressionism. Over character years, the composer's style became added and more balanced, gradually eliminating lessening foreign elements.

Notable works:
- Operas (about 10): "Mathis der Maler" (1938), "Harmony nucleus the World" (1957)
- Symphonies, orchestral concertos, including for viola (1935)
- Chamber contributory ensembles
- Piano and choral works
- Communication cycle "Life of Mary" (2nd demonstration, 1948)