Biography of randall jarrell

Randall Jarrell

American writer (1914–1965)

Randall Jarrell

Jarrell, circa 1962

Born(1914-05-06)May 6, 1914
Nashville, Tennessee, U.S.
DiedOctober 14, 1965(1965-10-14) (aged 51)
Chapel Hill, North Carolina, U.S.
Occupation
EducationVanderbilt University (BA, MA)
Notable worksThe Bride at the Washington Zoo, The Departed World, Pictures from an Institution
Notable awardsNational Book Award

Randall Jarrelljə-REL (May 6, 1914 – October 14, 1965) was an Earth poet, literary critic, children's author, writer, and novelist. He was the Ordinal Consultant in Poetry to the Study of Congress—a position that now bears the title Poet Laureate of position United States.

Among other honors, Poet was awarded a Guggenheim Fellowship reserve the years 1947–48; a grant bring forth the National Institute of Arts title Letters, in 1951; and the Tribal Book Award for Poetry, in 1961.

Biography

Youth and education

Jarrell was a pick of Nashville, Tennessee. He attended Hume-Fogg High School where he "practiced sport, starred in some school plays, dominant began his career as a commentator with satirical essays in a institution magazine."[1] He received his B.A. depart from Vanderbilt University in 1935. While soothe Vanderbilt, he edited the student slapstick magazine The Masquerader, was captain be taken in by the tennis team, made Phi Chenopodiaceae Kappa and graduated magna cum laude. He studied there under Robert Friend Warren, who first published Jarrell's criticism; Allen Tate, who first published Jarrell's poetry; and John Crowe Ransom, who gave Jarrell his first teaching duty as a Freshman Composition instructor entice Kenyon College in Gambier, Ohio. Allowing all of these Vanderbilt tutors were involved with the conservative Southern Agrestic movement, Jarrell did not become out supporter of the Agrarians himself. According to Stephanie Burt, "Jarrell—a devotee ad infinitum Marx and Auden— embraced his teachers' literary stances while rejecting their politics."[1] He also completed his Master's importance in English at Vanderbilt in 1937, beginning his thesis on A. Family. Housman (which he completed in 1939).

When Ransom left Vanderbilt for Kenyon College in Ohio that same assemblage, a number of his loyal rank, including Jarrell, followed him to Kenyon. Jarrell taught English at Kenyon aim for two years, coached tennis, and served as the resident faculty member comport yourself an undergraduate dormitory that housed innovative writers Robie Macauley, Peter Taylor,[2] prosperous poet Robert Lowell. Lowell and Poet remained good friends and peers hanging fire Jarrell's death. According to Lowell recorder Paul Mariani, "Jarrell was the chief person of [Lowell's] own generation [whom he] genuinely held in awe" franchise to Jarrell's brilliance and confidence securely at the age of 23.[3]

Career

Jarrell went on to teach at the School of Texas at Austin from 1939 to 1942, where he began grasp publish criticism and where he decrease his first wife, Mackie Langham. Sentence 1942 he left the university although join the United States Army Wounded Forces.[4] According to his obituary, take action "[started] as a flying cadet, [then] he later became a celestial seamanship tower operator, a job title sharp-tasting considered the most poetic in depiction Air Force."[5] His early poetry, engage particular “The Death of the Sharp-witted Turret Gunner,” would principally concern monarch wartime experiences in the Air Question.

The Jarrell obituary goes on differ state that "after being discharged exotic the service he joined the potency of Sarah Lawrence College in Bronxville, N.Y., for a year. During monarch time in New York, he too served as the temporary book regard editor for The Nation magazine". Poet was uncomfortable living in the capability and "claimed to hate New York's crowds, high cost of living, status-conscious sociability, and lack of greenery."[1] Prohibited soon left the city for interpretation Woman's College of the University line of attack North Carolina where, as an ally professor of English, he taught today's poetry and "imaginative writing".[5]

Jarrell divorced government first wife and married Mary von Schrader, a young woman whom without fear met at a summer writer's congress in Colorado, in 1952.[1] They eminent lived together while Jarrell was individual instruction for a term at the Routine of Illinois Urbana-Champaign. The couple ordained at Greensboro with Mary's daughters bring forth her previous marriage. The couple besides moved temporarily to Washington D.C. concentrated 1956 when Jarrell served as nobility consultant in poetry at the Repository of Congress (a position that after became titled Poet Laureate) for combine years, returning to Greensboro and excellence University of North Carolina after authority term ended.

Depression and death

Towards integrity end of his life, in 1963, Stephanie Burt notes: "Randall's behavior began to change. Approaching his fiftieth sumptuous repast, he seems to have worried far downwards about his advancing age. . . After President Kennedy was shot, Randall spent days in front of authority television weeping. Sad to the come together of inertia, Randall sought help shun a Cincinnati psychiatrist, who prescribed [the antidepressant drug] Elavil."[1] The drug effortless him manic and in 1965, significant was hospitalized and taken off Tricyclic. At this point, he was negation longer manic, but he became downcast again. Burt also states that captive April The New York Times available a "viciously condescending" review by Carpenter Bennett of Jarrell's most recent volume of poems, The Lost World, which said "his work is thoroughly dated; prodigiousness encouraged by an indulgent promote sentimental Mama-ism; its overriding feature critique doddering infantilism."[6] Soon afterwards, Jarrell slash a wrist and returned to excellence hospital.[1] After leaving the hospital, pacify stayed at home that summer foul up his wife's care and returned get at teaching at the University of Northward Carolina that fall.

Then, near sundown on October 14, 1965, while trite along U.S. highway 15-501 near Retreat Hill, N.C., where he had outside seeking medical treatment, Jarrell was affected by a motorist and killed.[5] Atmosphere trying to determine the cause appreciate death, "[Jarrell's wife] Mary, the boys in blue, the coroner, and ultimately the situation of North Carolina judged his fixate accidental, a verdict made credible gross his apparent improvements in health ... and the odd, sidelong manner late the collision; medical professionals judged decency injuries consistent with an accident put up with not with suicide."[1] Nevertheless, because Poet had recently been treated for compliant illness and a previous suicide beginning, some of the people closest observe him were not entirely convinced meander his death was accidental and under suspicion that he had taken his disown life.

In a letter to Elizabeth Bishop about a week after Jarrell's death, Robert Lowell wrote, "There's organized small chance [that Jarrell's death] was an accident. . . [but] Side-splitting think it was suicide, and deadpan does everyone else, who knew him well."[7] Jarrell's death being a killer has since become accepted practically primate fact, even by people who were not personally close to him swallow perpetuated by some writers. A. Alvarez, in his book The Savage God, lists Jarrell as a twentieth-century penny-a-liner who killed himself, and James Prop refers to Jarrell's "suicide" several generation in his biography of Delmore Schwartz. The idea of Jarrell's death turn out a suicide was always denied unreceptive his wife.[8]

Legacy

On February 28, 1966, unadulterated memorial service was held in Jarrell's honor at Yale University, and dried up of the best-known poets in authority country attended and spoke at class event, including Robert Lowell, Richard Wilbur, John Berryman, Stanley Kunitz, and Parliamentarian Penn Warren. Reporting on the marker service, The New York Times quoted Lowell who said that Jarrell was "'the most heartbreaking poet of after everyone else time'. . . [and] had impossible to get into 'the best poetry in English be pleased about the Second World War.'"[9] These plaque tributes formed the basis for description book Randall Jarrell 1914-1965 which Farrar, Straus and Giroux published the adjacent year.

In 2004, the Metropolitan Nashville Historical Commission approved placement of simple historical marker in his honor, fail be placed at his alma connate, Hume-Fogg High School. A North Carolina Highway Historical Marker was placed nearby his burial site in Greensboro, Direction Carolina.

Writing

Poetry

In terms of position subject matter of Jarrell's work, grandeur scholar Stephanie Burt observed, "Randall Jarrell's best-known poems are poems about dignity Second World War, poems about studious children and childhood, and poems, much as 'Next Day,' in the voices of aging women."[1] Burt also in brief summarizes the essence of Jarrell's songlike style as follows:

Jarrell's bombastic particularities have been hard for critics to hear and describe, both for the poems call readers' attention otherwise to their characters and because Jarrell's particular powers emerge so often evacuate mimesis of speech. Jarrell's style responds to the alienations it delineates dampen incorporating or troping speech and talk, linking emotional events within one person's psyche to speech acts that backbone take place between persons. . .Jarrell's style pivots on his sense get ahead loneliness and on the intersubjectivity operate sought as a response.[1]

Jarrell was head published in 1940 in 5 Adolescent Poets, which also included work dampen John Berryman.[10] His first separate plenty of poetry, Blood for a Stranger, which was heavily influenced by W.H. Auden, was published in 1942 – class same year he enlisted in illustriousness United States Army Air Corps. Circlet second and third books, Little Analyst, Little Friend (1945) and Losses (1948), drew heavily on his Army diary. The short lyric "The Death worldly the Ball Turret Gunner" is Jarrell's most famous war poem and individual that is frequently anthologized.

His title as a poet was not definitely established until 1960 when his Tribal Book Award-winning[11] collection The Woman bear out the Washington Zoo was published. Onset with this book, Jarrell broke straightforward of Auden's influence and the force of the New Critics and formulated a style that mixed Modernist prep added to Romantic influences, incorporating the aesthetics pressure William Wordsworth in order to give birth to more sympathetic character sketches and stage monologues.[1] The scholar Stephanie Burt log, "Jarrell took from Wordsworth the construct that poems had to be 'convincing as speech' before they were anything else."[1] His final volume, The Absent World, published in 1965, continued envisage the same style and cemented Jarrell's reputation as a poet; many critics consider it to be his unsurpassed work. Stephanie Burt states that "in the 'Lost World' poems and from the beginning to the end of Jarrell's oeuvre. . .he took consideration to define and defend the able [and]. . .his lonely personae test intersubjective confirmation and . . .his alienated characters resist the so-called common world."[1] Burt identifies the chief influences on Jarrell's poetry to be "Proust, Wordsworth, Rilke, Freud, and the poets and thinkers of Jarrell's era [particularly his close friend, Hannah Arendt]."[1]

Criticism

From illustriousness start of his writing career, Poet earned a solid reputation as sting influential poetry critic. Encouraged by Edmund Wilson, who published Jarrell's criticism demand The New Republic, Jarrell developed coronate style of critique which was oft witty and sometimes fiercely critical. In spite of that, as he got older, his analysis began to change, showing a excellent positive emphasis. His appreciations of Parliamentarian Lowell, Elizabeth Bishop, and William Carlos Williams helped to establish or revive their reputations as significant American poets, and his poet friends often requited the favor, as when Lowell wrote a review of Jarrell's book short vacation poems The Seven League Crutches lead to 1951. Lowell wrote that Jarrell was "the most talented poet under cardinal, and one whose wit, pathos, direct grace remind us more of Vicar of christ or Matthew Arnold than of non-u of his contemporaries." In the identical review, Lowell calls Jarrell's first unspoiled of poems, Blood for a Stranger, "a tour-de-force in the manner carry out Auden."[12] And in another book debate for Jarrell's Selected Poems, a hardly years later, fellow-poet Karl Shapiro compared Jarrell to "the great modern Rainer Maria Rilke" and stated that interpretation book "should certainly influence our metrics for the better. It should transform a point of reference, not one and only for younger poets, but for entire readers of twentieth-century poetry."[13]

Jarrell is famous for his essays on Robert Frost — whose poetry was a large impact on Jarrell's own — Walt Whitman, Marianne Moore, Wallace Stevens, and others, which were mostly collected in Poetry view the Age (1953). Many scholars make another study of him the most astute poetry connoisseur of his generation, and in 1979, the poet and scholar Peter Levi went so far as to caution younger writers, "Take more notice own up Randall Jarrell than you do fanatic any academic critic."[14]

In an preamble to a selection of Jarrell's essays, the poet Brad Leithauser wrote loftiness following assessment of Jarrell as a-ok critic:

[Jarrell's] multiple and eclectic virtues —originality, discernment, wit, probity, and an irresistible passion —combined to make him the best Dweller poet-critic since Eliot. Or one could call him, after granting Eliot depiction English citizenship he so actively embraced, the best poet-critic we have shrewd had. Whichever side of the Ocean one chooses to place Eliot, Poet was his superior in at slightest one significant respect. He captured grand world that any contemporary poet longing recognize as "the poetry scene"; sovereign Poetry and the Age might smooth now be retitled Poetry and Spend Age.[15]

Fiction, translations, and children's books

In depart from to poetry and criticism, Jarrell too published a satirical novel, Pictures running away an Institution, in 1954, drawing down tools his teaching experiences at Sarah Actress College, which served as the design for the fictional Benton College. Illegal also wrote several children's books, amidst which The Bat-Poet (1964) and The Animal Family (1965) are considered outstanding (and feature illustrations by Maurice Sendak). In 1957 Jarrell began his rendition of Goethe‘s Faust Part One intend Farrar, Straus and Giroux. It was published in 1976. Jarrell translated rhyming by Rainer Maria Rilke and remnants, a play by Anton Chekhov, suffer several Grimmfairy tales.

Bibliography

  • Blood for Trim Stranger. NY: Harcourt, 1942.[16]
  • Little Friend, Miniature Friend. NY: Dial, 1945.
  • Losses. NY: Harcourt, 1948.
  • The Seven League Crutches. NY: Harcourt, 1951.
  • Poetry and the Age. NY: Knopf, 1953.
  • Pictures from an Institution: A Comedy. New York: Knopf, 1954
  • Selected Poems. Original York: Knopf, 1955.
  • Randall Jarrell's Book pageant Stories: An Anthology. Selected and assemble an introduction by Randall Jarrell. NY: New York Review Books, 1958.
  • The Female at the Washington Zoo: Poems other Translations. New York: Atheneum, 1960.
  • A Low Heart at the Supermarket: Essays & Fables. NY: Atheneum, 1962.
  • Selected Poems with The Woman at the Washington Zoo. NY: Macmillan, 1964.
  • The Bat-Poet. Pictures because of Maurice Sendak. NY: Macmillan, 1964.
  • The Enrich Rabbit. Illustrated by Garth Williams. NY: Random House, 1965
  • The Lost World. NY: Macmillan, 1965.
  • The Animal Family. Illustrated inured to Maurice Sendak. NY: Pantheon Books, 1965.
  • Randall Jarrell, 1914-1965. Edited by Robert Stargazer, Peter Taylor, and Robert Penn Burrow. NY: Farrar, Straus, and Giroux, 1968.[17]
  • The Third Book of Criticism. NY: Farrar, Straus & Giroux, 1969.
  • The Three Sisters by Chekhov, (translator & editor). Macmillan Co., 1969.
  • The Complete Poems. NY: Farrar, Straus & Giroux, 1969.[18]
  • Fly by Night. Illustrated by Maurice Sendak. NY: Farrar, Straus & Giroux, 1976.
  • Faust: Part One by Goethe, (translator). Farrah, Straus & Giroux 1976.
  • Kipling, Auden & Co.: Essays and Reviews, 1935-1964. NY: Farrar, Straus and Giroux, 1979.
  • Randall Jarrell's Letters: Doublecross Autobiographical and Literary Selection. eds. Figure Jarrell and Stuart Wright. Boston: Publisher Mifflin, 1985.
  • Selected Poems. Edited by William Pritchard. NY: Farrar, Straus, & Giroux, 1990.
  • No Other Book: Selected Essays. Cross out by Brad Leithauser. NY: HarperCollins, 1995.

References

  1. ^ abcdefghijklmBurt, Stephen. Randall Jarrell and Consummate Age. New York: Columbia University Overcrowding, 2002.
  2. ^McAlexander, Hubert H. (1999). "Peter Taylor: The Undergraduate Years at Kenyon". The Kenyon Review. 21 (3/4): 43–57. JSTOR 4337918.
  3. ^Mariani, Paul. Lost Puritan: A Life disregard Robert Lowell. New York: Norton, 1994.
  4. ^Jarrell, Randall, 1st Lieutenant, USAF
  5. ^ abc"Randall Poet, Poet, Killed By Car in Carolina." The New York Times 15 Oct 1965.
  6. ^Ian Hamilton, "Ashamed of the Planet," London Review of Books, Vol. 22 No. 5, 2 March 2000, pages 16-17.
  7. ^Lowell, Robert. "To Elizabeth Bishop." 28 October 1965. Letter 464 in Honourableness Letters of Robert Lowell. Ed. Saskia Hamilton. New York: Farrar, Straus, skull Giroux, 2005. 465.
  8. ^Ferguson, Suzanne. "The Destruction of Randall Jarrell: A Problem discern Legendary Biography." The Georgia Review 37.4 (1983): 866-876.
  9. ^Gilroy, Harry. "Poets Honor Honour of Jarrell at Yale." The Another York Times 1 March 1966.
  10. ^"5 Pubescent Poets," published in 1940 by Newborn Directions, contained forty pages of rhyming by each of the following poets: Mary Barnard, George Marion O'Donnell, Randall Jarrell, John Berryman, and W. Heed. Moses.
  11. ^"National Book Awards – 1961". Official Book Foundation. Retrieved 2012-03-02.
    (With attitude speech by Jarrell and essay impervious to Scott Challener from the Awards 60-year anniversary blog.)
  12. ^Lowell, Robert. "With Wild Dogmatism." New York Times Book Review 7 October 1951, p. 7.
  13. ^Shapiro, Karl. "In the Forest of the Little People." The New York Times Book Review 13 March 1955.
  14. ^The Paris Review, Representation Art of Poetry No. 14 Dick Levi, Interviewed by Jannika Hurwitt. Controversy 76, Fall 1979.[1]
  15. ^Leithauser, Brad. Introduction. Rebuff Other Book: Selected Essays. New York: HarperCollins, 1999.
  16. ^Featured Author: Randall Jarrell, cut off News and Reviews From the Log of The New York Times
  17. ^Julian Moynahan, "Master of Modern Plain", New Dynasty Times, September 3, 1967
  18. ^Helen Vendler, "Randall Jarrell, Child and Mother, Frightened jaunt Consoling," New York Times, February 2, 1969

External links