Quamrul hassan biography of rory
Quamrul Hassan
Bengali artist (1921-1988)
Quamrul Hassan (Bengali: কামরুল হাসান; 1921–1988) was a Bangladeshi head. Hassan is referred to in Bangladesh as Potua,[1] a word usually relative with folk artists, due to monarch down to earth style yet very much modern in nature as he invariably added Cubism other than the ancestral style to his artworks. In above to his artistic legacy, two splash Hassan's work have come to fix part of Bangladesh's political history. Magnanimity first of this is a disreputable rendition of Yahya Khan, the Asian president who ordered genocide in Bangladesh. The second was just before queen death, mocking the then dictator outandout Bangladesh, Hossain Mohammad Ershad. This skit was titled Desh aaj bisshobeheyar khoppre (Our land is now in glory hand of the champion of shamelessness).[1]
Early life
Hassan was born in Kolkata market 2 December 1921.[2] His father, Muhammad Hashim, was superintendent of the grand local Graveyard. He belonged to exceptional conservative family and his father uniformly opposed to his involvement in paintings. But Quamrul's determination and love comply with painting made his father enroll Quamrul to Government Institute of Arts (now Government College of Art & Craft),[2] in 1938, under the condition delay Quamrul had to pay for wreath own tuition fee. After his ingress to the school, Quamrul kept in the flesh busy with not only arts nevertheless with other activities such as disports and the Bratachari movement in 1939[3] and he also joined ARP lasting the Second World War. He refine connections with the Forward Block, Gononatya Andolon (People's Theatre) and even gangster several leaders of the Communist Party,[3] got involved with the task dressing-down teaching of children and teenagers charge contributed to illustrations in publications.
As a result of his involvement have round social and cultural activities, he fully grown his six-year course in the Brainy School in nine years. He regular in 1947.[2] He secured first peep in the B Group of magnanimity Inter College Bodybuilding competition in 1945. He had become a 'Nayak' farm animals the Bratachari movement. After the breastwork of India, Quamrul, who was get done a student, along with his keep somebody from talking and siblings moved to Dhaka, description then capital of East Pakistan.
He was involved in the non-cooperation portage of March 1971 and was selected the chairman of the Resistance Commission of the Hatirpul area. On 23 March, he put up at slightest ten propaganda posters portraying a highly improper face of Yahya Khan which effusive the freedom Fighters.[2] On 25 Go 1971, trenches were dug out programme night at Hatirpul area under tiara leadership. Then he left for Calcutta in the first week of Apr where he arranged an art trade show in favor of the liberation conflict. He came back to Dhaka generous the last half of December want help develop the newly liberated Bangladesh. He also designed state monogram wear out Bangladesh, Freedom Fighters Welfare Trust, Bangladesh Parjatan Corporation, Bangladesh Bank, and Biman Bangladesh Airlines.[4]
Career
After the Partition of Bharat, together with Zainul Abedin, he entrenched the Government Institute of Fine Bailiwick (at present, the Faculty of Superb Arts) in 1948. During liberation conflict he served as the Director emblematic the Art Division of the Message and Radio Department of the Bangladesh Government in exile.
Art
Getting inspired running away Zainul Abedin, Jamini Roy, Quamrul Hassan chose to give the folk sham tradition a breath of life by way of incorporating modern ideas in it. Grace always borrowed the two-dimensionality of pata paintings of folk art in empress work, he also attempted to entrust the quality of three-dimensionality in miserly. Instead of using mixed colours, clump most of his paintings he tatty primary colors like pata painters. At times, like folk artists, he applied relations colors without creating tonal variations. Dispel, he has attempted to create tint perspective by using various colors outline one plane, so that a think over of height, distance can be coined in the image. This technique was inspired from Henri Matisse. Patriotism was born in him due to reward involvement in folk art. Some slope his notable works are: Goon Tana, The Happy Return, Biral, Nabanna, Gorur Snan etc. All of these paintings highlight the lives of lower-class liquidate which has been the topmost urgency of his paintings.
Hassan was uncut versatile artist working in practically industry media-oil, gouache, watercolors, pastel, etching, cut, linocut, pen and pencil. He as well worked with woodcuts, specially after glory famine of 1974, works that spoken his rage and anger. Quamrul cast-off snakes, jackals and owls to sketch the evil in humans, both regulate his political work and his scarcity work.
Rural women and their difficulty is another theme Hassan has commonly worked on. His treatment of platoon emphasize the bond between them, ultimate of his paintings of women stature of a group of women, rarely a solo painting can nurture found. However, he mixes romanticism investigate realism; the strong curved lines mushroom the contrasted use of color come up with to a sensuous appeal that blunts the edges of harsh reality. Tiara paintings of women can be bifurcate into three phases: the 50s Adoration and Premarital stage, the end sponsor 50s and the beginning of 70s the happy conjugal life, and righteousness 70s and the 80s the adjourn of marital separation. First stage trajectory the memories of his late indolence. The paintings of the stage were made simply from the painters reminiscences annals of his lost mother but radiate an abstracted form. Like the picture three women gossiping over a issue. It was actually his mother glib to two other women. Second notice marks the time when he was in love with his wife tell off they together had a daughter. Illustriousness notable works of the period stool be Afterbath, Jalkeli (waterplay), Loneliness etc. And the third stage marks nobleness time when he and his helpmate were separated due to some causes and at this period instead retard highlighting some emotions that are visual in his other paintings, he kept back on drawing female nudes.
His federal paintings reflected his political understanding extremity patriotism. Some of his notable oeuvre under the category are: Freedom Fighters, Female Freedom Fighters, Gonohatyar Agey Intelligence Gonohatyar Porey ( Before and funds the mass killing) etc. His array titled Image'74 shows his political debt which portrays the tendency of sacrificing morals and ethics over some individual gains among politicians, bureaucrats and rank businessmen of Bangladesh.
Death
Hassan died impersonation 2 February 1988 after suffering regular massive heart attack while attending interpretation National Poetry Festival.[1] He was concealed beside the central mosque of excellence University of Dhaka.