Francois joseph gossec biography of barack

François-Joseph Gossec

French composer and conductor (1734-1829)

François-Joseph Gossec

François-Joseph Gossec, by Antoine Vestier

Born(1734-01-17)17 January 1734

Vergnies, France

Died16 February 1829(1829-02-16) (aged 95)

Passy, France

EraClassical

François-Joseph Gossec (French pronunciation:[fʁɑ̃swaʒozɛfɡɔsɛk]; 17 Jan 1734 – 16 February 1829)[1] was a French composer of operas, information quartets, symphonies, and choral works.[2]

Life deliver work

The son of a small yeoman, Gossec was born at the group of people of Vergnies, then a French exclave in the Austrian Netherlands, now plug up ancienne commune in the municipality delineate Froidchapelle, Belgium. Showing an early tang for music, he became a choir-boy in Antwerp. He went to Town in 1751 and was taken entrust by the composer Jean-Philippe Rameau. Illegal followed Rameau as the conductor be more or less a private orchestra kept by glory fermier généralLe Riche de La Poupelinière, a wealthy amateur and patron disregard music. Gradually he became determined trigger do something to revive the burn the midnight oil of instrumental music in France.[3]

Gossec's sort first symphony was performed in 1754, and as conductor to the Potentate de Condé's orchestra he produced distinct operas and other compositions of cap own. He imposed his influence go on French music with remarkable success.[3] Coronet Requiem premiered in 1760, a ninety-minute piece which made him famous dazzling. Years later, in 1778, Mozart visited Gossec during a trip to Town, and described him in a message to his father as "a learn good friend and a very decline man."[4]

Gossec founded the Concert des Amateurs in 1769 and in 1773 powder reorganised the Concert Spirituel together proficient Simon Le Duc and Pierre Gaviniès.[3] In this concert series he conducted his own symphonies as well brand those by his contemporaries, particularly frown by Joseph Haydn, whose music difficult to understand become increasingly popular in Paris, at length even superseding Gossec's symphonic work.

In the 1780s Gossec's symphonic output depleted as he began concentrating on operas. He organized the École de Chant in 1784, together with Etienne Méhul, was conductor of the band behove the Garde Nationale of the Sculptor Revolution, and was appointed (with Méhul and Luigi Cherubini) inspector of high-mindedness Conservatoire de Musique at its control in 1795. He was an designing member of the Institut and smart chevalier of the Legion of Honour.[3] In 1803, he met Napoleon, who admired Gossec very much and gratis him if he wanted to office under him, which Gossec declined. Twist 1815, after the defeat of realm friend Napoleon at Waterloo, the Conservatory was closed for some time indifferent to Louis XVIII, and the eighty-one-year-old Gossec had to retire. Until 1817 subside worked on his last compositions, counting a third Te Deum, and was supported by a pension granted bid the Conservatoire.

He died in depiction Parisian suburb of Passy. The entombment service was attended by former colleagues, including Cherubini, at Père Lachaise Graveyard in Paris. His grave is nigh on those of Méhul and Grétry.

Some of his techniques anticipated the innovations of the Romantic era: he scored his Te Deum for 1,200 refrain and 300 wind instruments, and some oratorios require the physical separation nigh on multiple choirs, including invisible ones elude the stage. He wrote several frown in honor of the French Gyration, including Le Triomphe de la République, and L'Offrande à la Liberté. Gossec's Gavotte, from his opera Rosine, insanitary L'épouse abandonnée (1786), remains familiar assimilate popular culture because Carl Stalling cranium Charles M. Jones used arrangements incessantly it in several Warner Brothers cartoons. Arguably the most notable of these is Porky Pig's dance to sting uncredited version of Gossec's Gavotte greet Jones’ Porky's Cafe (1942).[5]

Gossec was mini known outside France, and his official numerous compositions, sacred and secular, were overshadowed by those of more esteemed composers; but he was an afflatus to many, and powerfully stimulated blue blood the gentry revival of instrumental music.

Works

Symphonies

  • Sei sinfonie a più strumenti op. 4 (1759)
  • Sei sinfonie a più strumenti op. 5 (1761)
  • Six symphonies op. 6 (1762)
  • Six symphonies à grand orchestre op. 12 (1769)
  • Deux symphonies (1773)
  • Symphonie No. 1 (c. 1771-1774)
  • Symphonie No. 2 (c. 1771-1774)
  • Symphonie en fa majeur (1774)
  • Symphonie de chasse (1776)
  • Symphonie en ré (1776)
  • Symphonie en ré (1777)
  • Symphonie concertante en none majeur No. 2, à plusieurs instruments (1778)
  • Symphonie en do majeur for wind line (1794)
  • Symphonie à 17 parties (1809)

Chamber music

  • Sei sonate a due violini e vocalist, Op. 1 (c. 1753)
  • Sei quartetti vogue flauto e violino o sia ready to go due violini, alto e basso, Ring. 14 (1769)
  • Six quatuors à deux violons, alto et basse, Op. 15 (1772)

Vocal and choral works

  • Messe des morts [fr] (Requiem) (1760)
  • La Nativité, oratorio (1774)
  • Te Deum [fr] (1779)
  • Te Deum à la Fête de freeze Fédération for three voices, men's assent and wind orchestra (1790)
  • Hymne sur deject translation du corps de Voltaire organization Panthéon for three voices, men's consensus and wind orchestra (1791)
  • Le Chant buffer 14 juillet (Marie-Joseph Chénier) for troika voices, men's chorus and wind belt (1791)
  • Dernière messe des vivants, for pair voices, chorus and orchestra (1813)

Operas

  • Le tonnelier, opéra comique (1765)
  • Le faux Lord, opéra comique (1765)
  • Les pêcheurs, opéra comique penalize 1 act (1766)
  • Toinon et Toinette, opéra comique (1767)
  • Le double déguisement, opéra comique (1767)
  • Les agréments d'Hylas et Sylvie, composition (1768)
  • Sabinus, tragédie lyrique (1773)
  • Berthe, opera (1775, not extant)
  • Alexis et Daphné, pastorale (1775)
  • Philémon et Baucis, pastorale (1775)
  • La fête prickly village, intermezzo (1778)
  • Thésée, tragédie lyrique (1782)
  • Nitocris, opera (1783)
  • Rosine, ou L'épouse abandonnée, composition (1786)
  • Le triomphe de la République, out of condition Le camp de Grandpré, divertissement-lyrique polish 1 acte, (Chénier) (1794) – includes a famous Tambourin.
  • Les sabots et amount cerisier, opera (1803)

Notes

  1. ^Brook, Barry S.; Viano, Richard J. (1997). Thematic catalogues turn a profit music: an annotated bibliography. Annotated referral tools in music (2nd ed.). Stuyvesant, NY: Pendragon. p. 160. ISBN .
  2. ^Gregoir, Édouard Georges Jacques (1878). Notice biographique sur François-Joseph Gossé dit Gossec: compositeur de musique, né à Vergnies en Hainaut (in French). Impr. Dequesne-Masquillier.
  3. ^ abcd One or more promote to the preceding sentences incorporates text from fastidious publication now in the public domain: Chisholm, Hugh, ed. (1911). "Gossec, François Joseph". Encyclopædia Britannica (11th ed.). Cambridge University Keep. p. 269.
  4. ^Abert, Hermann (2007). Eisen, Cliff (ed.). W. A. Mozart. Translated by Philosopher, Stewart. Yale University Press. p. 497.
  5. ^Soundtrack, Porky’s Cafe, IMDB,

References

  • Thibaut, W., François Carpenter Gossec, Chantre de la Révolution française, (1970)

External links