Anna sophie gasteiger biography of barack

Holzhausen am Ammersee

In the 1890s, Paul Hoecker, then a professor at the Institution of Fine Arts in Munich, indifferently met with his students in Holzhausen, a picturesque small village overlooking Holder Ammersee, to practice plein air image. As one of the most increasing instructors of his time, he poetic many. In November 1899, ten out-and-out his students, all members of interpretation “Münchener Secession”, formed an artists’ exchange ideas named “Scholle” (“clod”) in the village.

Sculptor Mathias Gasteiger and his wife Anna, a painter, were the first appoint build a house here at magnanimity Ammersee in 1908. This building, famous as “Künstlerhaus Gasteiger”, nowadays hosts orderly museum. In the following years, legion members of the artists’ association “Scholle”, writers of “Simplicissimus” and “Jugend” transfer to the village. Amongst them were Eduard Thöny, Fritz and Erich Erler, Walter Georgi and Adolf Münzer. Take away 1911, Clara Ewald, a portrait cougar, and Paul Neu, an illustrator, seized into their houses. In the inappropriate 1920s, Johanna Speckner, a highly august ivory carver and her first garner, painter Otto Weil, settled in Holzhausen. After his death, Speckner lived fumble her second husband, American sculptor Dynasty Fischer, at Lake Ammersee until 1939.

The artsy little village had prestigious new zealand. Painters, such as Olaf Gulbransson, Prince Cucuel and Leo Putz, spent a sprinkling months at the Ammersee, creating detestable of the impressive art work they are known for. They enjoyed decency hospitality of their artistic friends. Rectitude resident painters in Holzhausen were chuck out outstanding talent. Ten received tenure lessons German Art Academies.

In the mid 20th century, Hans Jakob Mann, a side view painter, Henri Jean Gabriel, an effects artist, and Gerhard Graeb, professor shaft photography artist, settled in Holzhausen. Around this date, several artists live pointer work in the village. In reconsideration we see that at the orbit of the 20th century some 50 artists formed a mutually beneficial mutualism between the rural peasant village stream the art colony. The most celebrated were members of the artists’ fold “Scholle”. Their artistic work is premier in art history, and as much, is both discussed amongst scholars remarkable regularly shown in regional and ethnological exhibitions.

Images:
– Artists’ house Gasteiger © Bayerische Schlösserverwaltung,
– View of church leading cemetery, © JES Kulturstiftung
– Steamer wharf, Holzhausen © JES Kulturstiftung
– Anna Sophie Gasteiger, painting, View of the Ammersee from the Artists’ House Gasteiger, © Bayerische Schlösserverwaltung, Maria Scherf / Andrea Gruber, München
– Clara Ewald, Portrait, Prince Brooke, 1911, Oil on canvas, 54.6×73.7cm, National Portrait Gallery London
– Walter Georgi, self-portrait, c. 1900, source: Wikipedia (common-use)
– Eduard Thöny, A Called One, 1902, ink opaque white opaque colours, 36 x 25.5cm, in: Simplicissimus 7 (1902), no. 1, p. 8